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He wrote a great deal of religious music , including large-scale masses , as well as dances, divertimenti , serenades , and other forms of light entertainment.

The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No.

Charles Rosen makes the point forcefully:. It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence.

In a paradoxical way, Schumann 's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily.

In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous. During his last decade, Mozart frequently exploited chromatic harmony.

A notable instance is his String Quartet in C major , K. Mozart always had a gift for absorbing and adapting the valuable features of others' music.

His travels helped in the forging of a unique compositional language. Bach and heard his music. In Paris, Mannheim, and Vienna he met with other compositional influences, as well as the avant-garde capabilities of the Mannheim orchestra.

In Italy, he encountered the Italian overture and opera buffa , both of which deeply affected the evolution of his practice.

In London and Italy, the galant style was in the ascendent: simple, light music with a mania for cadencing ; an emphasis on tonic, dominant, and subdominant to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements.

Others mimic the works of J. Bach, and others show the simple rounded binary forms turned out by Viennese composers.

As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. The influence of the Sturm und Drang "Storm and Stress" period in music, with its brief foreshadowing of the Romantic era , is evident in the music of both composers at that time.

Mozart's Symphony No. Mozart would sometimes switch his focus between operas and instrumental music. In his later operas, he employed subtle changes in instrumentation, orchestral texture, and tone colour , for emotional depth and to mark dramatic shifts.

Here his advances in opera and instrumental composing interacted: his increasingly sophisticated use of the orchestra in the symphonies and concertos influenced his operatic orchestration, and his developing subtlety in using the orchestra to psychological effect in his operas was in turn reflected in his later non-operatic compositions.

Mozart's most famous pupil, whom the Mozarts took into their Vienna home for two years as a child, was probably Johann Nepomuk Hummel , a transitional figure between the Classical and Romantic eras.

Ever since the surge in his reputation after his death, studying his scores has been a standard part of classical musicians' training. Ludwig van Beethoven , Mozart's junior by fifteen years, was deeply influenced by his work, with which he was acquainted as a teenager.

For further details, see Mozart and Beethoven. Composers have paid homage to Mozart by writing sets of variations on his themes. Beethoven wrote four such sets Op.

For unambiguous identification of works by Mozart, a Köchel catalogue number is used. This is a unique number assigned, in regular chronological order, to every one of his known works.

A work is referenced by the abbreviation "K. The first edition of the catalogue was completed in by Ludwig von Köchel.

It has since been repeatedly updated, as scholarly research improves knowledge of the dates and authenticity of individual works. Wolfgang Amadeus Mozart in popular culture.

From Wikipedia, the free encyclopedia. For other uses, see Mozart disambiguation. Austrian composer of the Classical period. Mozart c. Anonymous portrait of the child Mozart, possibly by Pietro Antonio Lorenzoni ; painted in on commission from Leopold Mozart.

See also: Mozart's name and Mozart family. Main articles: Mozart family grand tour and Mozart in Italy. See also: Haydn and Mozart and Mozart and Freemasonry.

See also: Mozart's Berlin journey. Main article: Death of Wolfgang Amadeus Mozart. Main article: Mozart and Catholicism.

Symphonie Nr. Movement: 1. Molto allegro. Overture to Don Giovanni. Main article: Köchel catalogue.

The many changes of European political borders since Mozart's time make it difficult to assign him an unambiguous nationality; for discussion, see Mozart's nationality.

I do not know why, not believing that you have need for a composer or of useless people. What I say is intended only to prevent you burdening yourself with useless people and giving titles to people of that sort.

In addition, if they are at your service, it degrades that service when these people go about the world like beggars.

Retrieved 23 October Retrieved 20 December For details of the story, see Miserere Allegri and Mozart's compositional method.

The Musical Times. Provides new information on this episode. Archived from the original on 7 February Retrieved 29 January Histoire de la musique occidentale.

Paris: Fayard. He wrote during that period that, whenever he or someone else played one of his compositions, it was as if the table and chairs were the only listeners.

For detailed discussion of the influence of Opus 33 on the "Haydn" quartets. Leopold's letter to his daughter Nannerl , 14—16 May Mozart: An Extraordinary Life.

Associated Board of the Royal School of Music. Radio Praha. Retrieved 14 December Alfred Music Publishing.

Classic FM UK. Archived from the original PDF on 7 April American Association for the Advancement of Science. Retrieved 26 April Retrieved 25 April Maybe Strep".

The New York Times. Retrieved 24 April Critical comment and reply. The Telegraph. Retrieved 7 May Andrews UK Limited.

Discussion of the sources of style as well as his early imitative ability. Life of Mozart. Abert, Hermann Cliff Eisen ed.

New Haven: Yale University Press. Barry, Barbara R. Hillsdale, New York: Pendragon Press. Deutsch, Otto Erich Mozart: A Documentary Biography.

Stanford: Stanford University Press. Einstein, Alfred Mozart: His Character, His Work. Galaxy Book Arthur Mendel , Nathan Broder trans.

Eisen, Cliff ; Sadie, Stanley. Eisen, Cliff ; Keefe, Simon P. The Cambridge Mozart Encyclopedia. Cambridge: Cambridge University Press.

Eisen, Cliff; et al. Grove Music Online subscription required. Retrieved 15 September Fradkin, Robert A.

Bloomington: Indiana University Press. Freeman, Daniel E. Mozart in Prague. Minneapolis: Bearclaw. Grove's Dictionary of Music and Musicians V ed.

New York: Macmillam Press. Gutman, Robert Mozart: A Cultural Biography. London: Harcourt Brace. Halliwell, Ruth New York City: Clarendon Press.

Neues Musikwissenschaftliches Jahrbuch Heartz, Daniel New York City: W. Landon, Howard Chandler Robbins London: Flamingo. Lorenz, Michael 9 August Retrieved 27 September Czajkowski, Paul ed.

London: Penguin. Mozart, Wolfgang; Mozart, Leopold Anderson, Emily ed. The Letters of Mozart and his Family 2nd ed.

London: Macmillan. Translated by Robert Spaethling. Raptus Association for Music Appreciation. Rosen, Charles Sadie, Stanley , ed.

The New Grove Dictionary of Opera. Sadie, Stanley, ed. Solomon, Maynard Mozart: A Life 1st ed. New York City: HarperCollins.

Steptoe, Andrew Oxford: Clarendon Press. Vatican Secret Archives. Archived from the original on 18 September Wakin, Daniel J. Wilson, Peter Hamish The Holy Roman Empire, — London: MacMillan.

Wolff, Christoph New York: Norton. Wolfgang Amadeus Mozart. Book Category. Classical period. Stamitz J. Stamitz Filtz Gluck C.

Bach L. Mozart G. Classical orchestra String quartet. Galant music Intermezzo Pastorale Sensitive style. Beethoven, unlike Mozart, did not resist experimenting with form.

His father, Leopold , came from a family of good standing from which he was estranged , which included architects and bookbinders.

His mother, Anna Maria Pertl, was born of a middle-class family active in local administration. At three he was picking out chords on the harpsichord, at four playing short pieces, at five composing.

There are anecdotes about his precise memory of pitch, about his scribbling a concerto at the age of five, and about his gentleness and sensitivity he was afraid of the trumpet.

Just before he was six, his father took him and Nannerl, also highly talented, to Munich to play at the Bavarian court, and a few months later they went to Vienna and were heard at the imperial court and in noble houses.

They went to what were all the main musical centres of western Europe—Munich, Augsburg , Stuttgart, Mannheim , Mainz, Frankfurt, Brussels, and Paris where they remained for the winter , then London where they spent 15 months , returning through The Hague, Amsterdam, Paris, Lyon, and Switzerland, and arriving back in Salzburg in November In most of these cities Mozart, and often his sister, played and improvised, sometimes at court, sometimes in public or in a church.

Two more followed during a stay in The Hague on the return journey K 22 and K 45a. After little more than nine months in Salzburg the Mozarts set out for Vienna in September , where apart from a week break during a smallpox epidemic they spent 15 months.

Mozart wrote a one-act German singspiel , Bastien und Bastienne , which was given privately. In October Mozart was appointed an honorary Konzertmeister at the Salzburg court.

Still only 13, Mozart had by now acquired considerable fluency in the musical language of his time, and he was especially adept at imitating the musical equivalent of local dialects.

But the London and The Hague symphonies attest to his quick and inventive response to the music he had encountered, as, with their enrichment of texture and fuller development, do those he produced in Vienna such as K 43 and, especially, K And his first Italian opera shows a ready grasp of the buffo style.

Wolfgang Amadeus Mozart. Article Media. Info Print Print. Table Of Contents. Submit Feedback. Thank you for your feedback. Editor, The Musical Times, — Music Critic, The Times London , — See Article History.

Top Questions. Symphony: The mature Classical period. Read more below: Wolfgang Amadeus Mozart. Leopold Mozart. The Marriage of Figaro.

The Magic Flute. Jupiter Symphony.

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